Showing posts with label Pioneer. Show all posts
Showing posts with label Pioneer. Show all posts

6/09/2007

Pioneer Elite PRO-940HD Plasma HDTV & HP MediaSmart SLC3760N LCD HDTV Review


Who says you can't stream HDTV?

As more consumers embrace high-speed home networking and video downloads, one question is gaining prominence: Can't we view this content on something a little more substantial than our computer monitors? Yes, you can, thanks to the digital media receiver, which is a device that lets you stream video, photo, and music files from your computer to your television.
The digital media receiver comes in many forms. Companies like D-Link, Hauppauge, and Acoustic Research sell standalone boxes that connect directly to your TV. Other manufacturers incorporate the functionality into an A/V source component, like the TiVo Series 2 DVR, the GoVideo networked DVD player, and the Xbox 360 gaming console. No matter its shape, the media receiver talks to your PC over a wired or wireless home network, allowing access to some combination of media files.

These devices accomplish the desired goal, but, like adding a full HTPC, they force you to add yet another box and remote control to your entertainment system—or at least mandate the use of specific source components in order to enjoy the technology. A couple of display manufacturers have realized that they can eliminate the middleman and build the function right into the TV. Admittedly, this solution is only viable for someone who's in the market for a new TV, but it's a compelling option nonetheless. I tried out two "media-friendly" HDTVs: Hewlett-Packard's MediaSmart SLC3760N 37-inch LCD ($1,700) and Pioneer's Elite PRO-940HD 42-inch plasma ($3,300).

Learning to Share
In terms of their media-sharing functions, these two TVs are more similar than different. Both are designed to work with PCs and media servers that support DLNA, UPnP, or Windows Media Connect. For this review, I mated the TVs with Niveus Media's new Rainier Media Center PC, so I focused on how to link the devices using Windows Media Connect, a PC software platform that works in conjunction with Windows Media Player to organize and stream files to remote devices. If you have Windows Media Player 10 or 11, chances are you already have Windows Media Connect on your PC. I did. However, if you don't, HP is kind enough to include a software disc with the TV, while Pioneer expects you to find and download it from the Microsoft Website.

Setting up each set's media function involves two steps. First, you must add the TV to your home network. Pioneer's media receiver is completely integrated into the plasma's chassis; its only visible features are an Ethernet port for connecting to your home network and a USB port, which lets you access media files directly from a USB drive if you don't have a home network. In contrast, HP has essentially affixed a media-player box to the TV's backside, which adds about 2 inches of depth and requires three extra cables to link the two: HDMI for A/V signals, a control cable, and a power cable. While the Pioneer only connects to your network via Ethernet, HP lets you choose between wired and wireless (802.11a/b/g) setup. If you want to go wireless, you also need to screw on two antennas that look like gloriously nostalgic rabbit ears peaking up from behind the TV. It took several attempts before I successfully added the HP to my wireless network, even when I turned off the security, but this could have just been an issue with my network.
The second step is to enable file sharing on your PC. Once you have added the TV to your network, its name should appear on the Windows Media Connect Device page. Simply click on it, allow sharing, and set the folders you want to share. My Pictures, My Videos, and My Music are the default options, but you can add other folders—like, say, your iTunes music folder. Obviously, protected music and video files downloaded from the iTunes Store aren't compatible with this Windows-based system, but, hey, we're used to that by now. Microsoft DRM files should play. Since I used a Media Center PC, I also added its Recorded TV folder in order to stream standard- and high-definition content to the TVs.

Yes, I did say "high definition." Probably the coolest application of this technology is the ability to stream high-definition content for viewing on your new HDTV. Over a wired connection, both TVs cleanly rendered recorded over-the-air HDTV programs and a couple of WMV HD trailers. If you want to view a lot of HD video, I don't recommend you go wireless with the HP; HD playback was very choppy over my 802.11g network, but SD video played back fine. For some reason, the HP wouldn't play any of the music files that came preloaded on my Niveus Media but worked fine with music I loaded myself, while the Pioneer played every file without issue.

I preferred the layout and appearance of Pioneer's media menu, but I found the HP system more intuitive to navigate and use, due primarily to the remote. The media function seems more like an afterthought for Pioneer. Their remote lacks a dedicated button to access the media menu and hides transport controls under a flip-down panel at the bottom; plus, the track-up/-down buttons don't work within this menu. HP treats the media function as the marquee feature, grouping all of the needed access and control buttons in a logical way. They also up the ante by adding a Services menu through which you can access certain online media portals—like CinemaNow, Snapfish, and Live365.com—directly.

Lest We Forget. . .
The media functions are certainly intriguing, but they mean little if the TVs fall short in the video department. Luckily, that isn't the case. Both displays receive solid marks in the major performance categories, although there are some drawbacks inherent in their respective technologies. The HP's 1,366-by-768 resolution gives it an edge in the detail department; it's capable of rendering razor-sharp images, but it also suffers from some motion blurring, which lessens the impact of that detail in fast-moving scenes. The Pioneer's 1,024-by-768 resolution creates a slightly softer image. But I never felt I was missing anything with DVD or HD sources, and details remained intact during faster-moving scenes.

Like many plasmas, the Pioneer's green color point is way off, which gives the image a bluish-green tint. The HP's color points are quite good; its green is also off the mark, but less so than the Pioneer's. As for color temperature, both TVs exhibit a large spike at the lowest IRE levels, causing dark scenes to take on a blue tint, but this evens out with brighter images. Skintones looked natural, with no red push. You can calibrate the Pioneer to measure very close to 6,500 Kelvin across the range; we could not calibrate the HP, but I doubt we would have been able to fix the spike and subsequent dip at the darker IRE points.

Both TVs offer film modes that enable them to pick up the 3:2 sequence in 480i sources pretty quickly, resulting in only minor shimmer in my demo scene from Gladiator. The Pioneer has an adjustable scan rate; you can set it for 72 hertz, instead of 60 Hz, for slightly more natural motion. It also picks up 3:2 with 1080i sources, while the HP does not. Both deinterlace 1080i/30 correctly.

By numbers alone, the HP has a much higher contrast than the Pioneer, but this doesn't tell the whole story. Our measurements use a full-field white for light output, which can put plasmas at a disadvantage. When we measured the Pioneer with a white window, its contrast ratio was closer to 1,400:1. With real-world content, I never felt the Pioneer lacked image depth or dimension, although its light output is somewhat low, even compared with a few plasmas we've reviewed. Combine this with the glass' tendency to reflect light, and the PRO-940HD isn't the best choice for a bright room environment.

The HP, meanwhile, is capable of over 150 foot-lamberts, which is more than enough light output to watch it in a sunlit room. Thankfully, it also has an adjustable backlight so you can turn down the lamps' output when necessary. While the HP is capable of a better black level than the plasma at its minimum backlight setting, black detail was not very good in my test scenes from Ladder 49 and The Bourne Supremacy. Plus, the viewing angle is a concern; move just 45 degrees off axis, and the black level rises while image saturation drops off noticeably. These two factors hurt the HP's performance in a dark room with darker film sources. The Pioneer has good black detail and a solid black level that remains consistent at any angle, making it a better fit for a theater environment. You might notice that I've essentially just summed up the differences between plasma and LCD.

If you're trying to decide which of these media TVs to buy, it really comes down to usage, taste, and budget. The $1,700 HP renders a videolike picture, with razor-sharp images that are clean and vibrant but lack depth. Its connections and features are modest at best: one HDMI input, no VGA connection, no program guide, and no automatic aspect-ratio detection. The Pioneer's image is more filmlike, with a richer, more textured, and generally more natural quality that I really enjoyed, especially since I watch TV mostly at night. Part of the Elite line, the $3,300 PRO-940HD has a healthy list of connections and features, including two HDMI and three component video inputs, two RF inputs for the internal tuners, a CableCARD slot, the TV Guide On Screen program guide, and a fair number of picture controls. Compared with last year's PRO-930HD, this model exhibits less phosphor lag and short-term image retention, which is important if you plan to leave the media menu on the screen for long periods of time. Both TVs are priced at the high end respective to their screen sizes.

With all that in mind, I primarily view the Pioneer PRO-940HD as a theater-based media TV, one that sits in the center in your home theater system and receives streaming media from the various PCs around your home. HP's SLC3760N, on the other hand, is a great fit for a secondary room as a device that taps into your main Media Center PC and lets you stream all that great content as seamlessly and invisibly as possible.

Highlights
Pioneer Elite PRO-940HD Plasma HDTV:
• Stream media from your computer
• Media receiver built into chassis

Highlights
HP MediaSmart SLC3760N LCD HDTV:
• Stream media from your computer
• Media function is HP's priority
Article Continues: At A Glance: Pioneer »

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Pioneer Elite PRO-940HD Plasma HDTV & HP MediaSmart SLC3760N LCD HDTV:At A Glance: Pioneer

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Connections
Inputs:
Video: HDMI (2), component video (3), VGA (1), S-video (2), composite video (3), RF (2)
Audio: Stereo analog (6), miniplug (1)
Outputs:
Video: Composite video (1)
Audio: Optical digital (1), stereo analog (1), subwoofer (1)
Additional: Ethernet (1), USB (1), G-Link (1), CableCARD (1), RS-232 (1)

Features
Type: Plasma
Screen Size (diagonal) 42 inches
Native Resolution / Aspect Ratio: 1,024 by 768 / 16:9
Half Life: 60,000 hours
Wall Mount or Stand Included?: Stand
Dimensions (H x W x D, inches): 26.75 x 40.94 x 10.75 (with stand)
26.75 x 40.94 x 4.5 (w/o stand)
Weight (pounds): 69.9 (with stand)
Price: $3,300

Ratings: Pioneer Elite PRO-940HD Plasma HDTV

Build Quality: 93
• Attractive gloss-black bezel and sturdy stand
• Incorporates media box into chassis

Value: 87
• Pioneer has lowered the price $1,000 from last year's model, but you still pay a premium for the Elite name and features

Features: 96
• Ample input options for HD content
• Optical digital and subwoofer outputs for the media feature
• 3:3 pulldown for smoother motion

Performance: 91
• Modest black level and light output
• Good color, detail, and processing
• Played all media files without incident

Ergonomics: 88
• Remote has dedicated source buttons, but not well designed for the media function
• Connections no longer housed in separate box

Overall Rating: 91
The Pioneer Elite PRO-940HD is a great TV for a light-controlled environment, rendering a natural image with solid color and detail. The Home Media Gallery is just one part of an excellent features package.

General Information
Elite PRO-940HD Plasma HDTV, $3,300
Pioneer Electronics
(800) PIONEER
www.pioneerelectronics.com
Article Continues: HT Labs Measures: Pioneer »

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Pioneer Elite PRO-940HD Plasma HDTV & HP MediaSmart SLC3760N LCD HDTV review:HT Labs Measures: Pioneer

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Full-On/Full-Off Contrast Ratio—476:1; ANSI Contrast Ratio—851:1

Measured Resolution with the Leader LT-446:
480: 480 (per picture height)
720p: 720 (pph)
1080i: Out to the limits of the 1,024-by-768 panel

DC Restoration (poor, average, good, excellent): Excellent

Color Decoder (poor, average, good, excellent): Excellent

Measured Color Points:
Red Color Point: x=0.664, y=0.328
Green Color Point: x=0.249, y=0.676
Blue Color Point: x=0.147, y=0.060

The top chart shows the PRO-940HD's gray scale relative to its color temperature at various levels of intensity, or brightness (20 IRE is dark gray; 100 IRE is bright white). The gray scale as set by the factory, in the Low color-temperature mode and the Movie picture mode, measures very cool with the darkest images and closer to accurate with brighter images. After making adjustments using the Photo Research PR-650, the gray scale measures much closer to D6500, the accurate color temperature, across the entire range.

The bottom chart shows the gray scale (or color temperature) relative to the color points of the display's red, green, and blue color phosphors. These are off those specified by SMPTE. Red is somewhat oversaturated, while blue is very, very slightly oversaturated. Green is very oversaturated and slightly bluish-green.

After calibration, and using a full-field 100-IRE white (18.55 foot-lamberts) and a full-field 0-IRE black (0.039 ft-L), the contrast ratio was 476:1. Using a 16-box checkerboard pattern (ANSI contrast), the contrast ratio was 851:1. With a 100-IRE window, the PRO-940HD produced 53.41 ft-L. (It is normal for a plasma to have lower light output on a full-white field versus a white window.)—GM

Article Continues: At A Glance: HP »

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Pioneer Elite PRO-940HD Plasma HDTV & HP MediaSmart SLC3760N LCD HDTV: At A Glance: HP

Connections
Inputs:
Video: HDMI (1), component video (2), S-video (1), composite video (3), RF (1)
Audio: Stereo analog (4)
Outputs:
Video: None
Audio: Digital optical (1), stereo analog (1)
Additional: MediaSmart A/V and control inputs (2), Ethernet (1), antenna connections for Wi-Fi (2, 802.11a/b/g)
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Features
Type: LCD
Screen Size (diagonal) 37 inches
Native Resolution / Aspect Ratio: 1,366 by 768 / 16:9
Lamp Life: Up to 60,000 hours
Wall Mount or Stand Included?: Stand
Dimensions (H x W x D, inches): 29.3 x 37.3 x 12 (with stand)
29.3 x 37.3 x 6.8 (w/o stand)
Weight (pounds): 59.1 (with stand)
Price: $1,700

HP MediaSmart SLC3760N LCD HDTV

Build Quality: 91
• Attractive gloss-black bezel and sturdy stand
• Media box is attached to the outside

Value: 88
• As we went to press, HP dropped the price from $2,000 to $1,700, which is more competitive but still slightly high for a 37-inch model

Features: 90
• Adjustable backlight and auto light sensor
• Only one HDMI input and no VGA
• The digital audio output is important for MediaSmart

Performance: 89
• Excellent detail and good color
• Viewing angle and motion blurring are a concern

Ergonomics: 92
• Remote lacks backlighting and dedicated source buttons
• The media menu and remote design make for intuitive navigation

Overall Rating: 90
The SLC3760N is a solid performer, offering good color, detail, and contrast, but its LCD nature makes it a better fit for a bright room. The MediaSmart function is a great perk in an otherwise modest features list.

General Information
MediaSmart SLC3760N LCD HDTV, $1,700
HP
(800) 752-0900
Article Continues: HT Labs Measures: HP »

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Pioneer Elite PRO-940HD Plasma HDTV & HP MediaSmart SLC3760N LCD HDTV review:HT Labs Measures: HP

HT Labs Measures: HP SLC3760N LCD HDTV
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Full-On/Full-Off Contrast Ratio—1,068:1; ANSI Contrast Ratio—967:1

Measured Resolution with the Leader LT-446:
480: 480 (per picture height)
720p: 720 (pph)
1080i: Out to the limits of the 1,366-by-768 panel

DC Restoration (poor, average, good, excellent): Excellent

Color Decoder (poor, average, good, excellent): Excellent

Measured Color Points:
Red Color Point: x=0.634, y=0.334
Green Color Point: x=0.273, y=0.600
Blue Color Point: x=0.146, y=0.066

The top chart shows the SLC3760N's gray scale relative to its color temperature at various levels of intensity, or brightness (20 IRE is dark gray; 100 IRE is bright white). The gray scale as set by the factory, in the Mid-Low color-temperature mode and the User picture mode, measures very cool with the darkest images and very warm with just slightly brighter images. The rest of the gray scale is somewhat cool.

The bottom chart shows the gray scale (or color temperature) relative to the color points of the display's red, green, and blue color filters. These are somewhat off those specified by SMPTE. Red is very slightly undersaturated and very slightly reddish-orange. Blue is very slightly greenish-blue. Green is rather bluish-green.

Using a full-field 100-IRE white (89.7 foot-lamberts) and a full-field 0-IRE black (0.084 ft-L), the contrast ratio was 1,068:1. Using a 16-box checkerboard pattern (ANSI contrast), the contrast ratio was 967:1. The best contrast ratio was achieved with the backlight in the STD setting. The brightest image was achieved with the backlight in the +16 setting, which produced 151.2 ft-L with a 100-IRE field and 0.143 on a 0-IRE black (1,057:1). The best black level was achieved with the backlight in the –16 setting. In this mode, the SLC3760N had a light output of 29.41 ft-L and a black level of 0.028 ft-L, making for a contrast ratio of 1,050:1.—GM

Article Continues: Those Who Can't. . .Cheat »


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Pioneer Elite PRO-940HD Plasma HDTV & HP MediaSmart SLC3760N LCD HDTV review:Those Who Can't. . .Cheat

Streaming media to your TV from an Apple computer is a trickier task, as most digital media receivers are PC-centric. Apple plans to enter the ring with their own digital media receiver, tentatively named the iTV, sometime in the first quarter of 2007. If you can't wait—or your heart is set on one of these media-friendly TVs—you'll have to get creative.

Elgato Systems offers a software program called EyeConnect ($91.35) that lets you stream content in your iTunes, iPhoto, and Movies folders to any UPnP media receiver. It also lets you stream TV content you've recorded with Elgato's EyeTV tuner. You can download a free 30-day trial of the software at www.elgato.com.

HP also sent me their MV2020 Media Vault ($550), a 500-gigabyte external storage drive that connects directly to your home network via Ethernet. This device can automatically back up the content on your networked computers, but it also has a MediaShare function that lets you stream its content to any UPnP media receiver, which worked very well in conjunction with the HP MediaSmart LCD. Mac owners can't use the advanced PC software to manage the Vault, but they can still use its backup and media-sharing functions through their home network. It's not an ideal media-sharing solution for the Mac, but it works.

Neither of these methods lets you stream iTunes video downloads or AAC music files, protected or not. For that, you must wait for the iTV.

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Pioneer PRO-FHD1 review

Excellent

The good: Accurate colors; excellent detail with 1080 resolution material; can reproduce deep blacks; extensive picture controls including color temperature and primary color adjustments; comprehensive connectivity including two HDMI and one DVI input; smooth styling with tinted-edge frame.

The bad: Extremely expensive; lacks speakers, stand, and tuner; subpar 480p picture quality.

The bottom line: Although its price puts it out of reach for most buyers, the Pioneer PRO-FHD1 delivers the best picture quality we've tested this year.

Pioneer PRO-FHD1 review

Pioneer's PRO-FHD1 isn't for everyone. As the first 50-inch plasma display to have a native resolution of 1080p--in other words, 1,920x1,080 pixels--it understandably costs a mint ($8,000 list). As a monitor, as opposed to a "true" TV, it lacks niceties such as built-in speakers, a tuner (ATSC or otherwise), or even an included stand. And as a member of Pioneer's "Elite" subbrand, it includes picture-centric features, such as user-menu color temperature and primary color adjustments, which most users won't know what to do with. But if you're willing to pay top dollar for the best 50-inch plasma on the market right now, look no further. Compared to the Panasonic TH-50PF9UK, the other current 50-inch 1080p plasma, the Pioneer delivers slightly better picture quality at a more-than-slight price increase. Although it's a bit too expensive to be considered our Editors' Choice in this category, the Pioneer PRO-FHD1 delivers the best picture quality of any television we've tested in the last year.

Design of Pioneer PRO-FHD1

Understatement is the order of the day with the Pioneer PRO-FHD1. The 50-inch pane of glass is set in the middle of a black frame that, unlike other Elite frames, isn't glossy. Instead there's a layer of dark-tinted plastic that extends slightly beyond the edge of the black on all sides, creating a subtle accent. The only other remarkable item on the plasma's surface is the Elite logo and small, nondimmable LEDs that glow blue when the power is on and red when it's off. The panel measures 50.5 x 29.5 x 3.8 inches (WHD) and weighs 87.7 pounds.

Pioneer's remote is as basic as beans, as we'd expect from a clicker that doesn't have to change channels. We really liked the dedicated buttons for switching inputs, but that's really the only remote item worth mentioning. The set's menu system is organized logically, although the nested selections in the picture menu seem to go on forever.

Features of Pioneer PRO-FHD1

The biggest item at the top of the Pioneer PRO-FHD1's spec sheet is its pixel count. This is the first plasma to have 1,920x1,080 pixels of native resolution on its screen, which lend the picture more detail with 1080i and 1080p sources than you'll see with lower-resolution panels, which typically have 1,366x768 pixels. All those pixels also provide more detail with computer sources, which can be set to 1,920x1,080 resolution and deliver every pixel, but they won't improve the look of 720p HDTV or standard-definition television.

As we mentioned at the outset, the Pioneer lacks many of the features you'd expect in any television. You'll have to pay extra if you want to set it on a stand--Pioneer's PDK-TS23 (about $500) is the model the company recommends. Pioneer does not make matching speakers; you'll have to either connect your own to the panel's audio jacks or just use an external home theater sound system, a better move. And of course you'll also need an external tuner--such as a cable or satellite box--or an over-the-air tuner to watch HDTV or any television broadcast on this monitor.

The PRO-FHD1 has numerous picture adjustments, starting with seven preset picture modes: Standard, Dynamic, Movie, Game, User, Pure, and ISF Night. As you might imagine, the last is sponsored by the Imaging Science Foundation, an organization that (among other activities) certifies professional calibrators who, in this case, make use of special Pioneer software to calibrate the panel and set up the mode. Each of these modes, except for Dynamic, allows you to adjust the picture controls, such as contrast, color, and so forth, separately for each input.

Selecting Pro Adjust in the picture menu opens up a slew of additional options. The PureCinema control selects between Off (no 2:3 pull-down); Standard (normal 2:3 pull-down); and Advanced (special 72Hz mode; see performance for details). There are five color temperature presets, and we found Low came closest to the NTSC standard. We also appreciated the option to adjust color temperature, both high and low points, manually. The CTI mode is said to improve color contours, but we couldn't detect any effect. A color management screen allowed us to adjust primary colors--a great addition. There are adjustments for noise reduction (they worked extremely well); Dynamic Contrast and ACL (we have no idea what the latter stands for; both are said to change the picture on the fly, so we left them off); Black level (best left on); and Gamma (we found setting 1 the best). An adjustable 3D-YC comb filter and I-P mode cap the extensive picture menu.

The Pioneer offered five aspect ratio choices with high-def sources, including a Dot-by-dot mode that we recommend using when you're watching either 1080i or 1080p material. That mode puts the entire 1,920x1,080 pixels on the screen with no scaling; its only disadvantage is that, with some broadcasts, it may cause interference to become visible at the extreme edges of the screen. If this happens, choose Full instead.

The bottom edge of the back panel includes a solid input selection. There are two HDMI inputs, although, as with all current HDTVs, they're not version 1.3. There is also one DVI input that can handle digital computer signals up to 1,920x1,080 resolution, as well as HDCP-protected A/V signals from an HDMI source (adapter required). A set of five BNC style inputs can, using the included trio of adapters, accept component-video signals (up to 1080p) or RGBHV signals (up to 1280x1024) from computers or video processors. Pioneer provides minimal support for standard-def signals; just one composite input (BNC-style, so it again requires an adapter for RCA-type jacks) and one S-Video input. The back panel also has an RS-232 port for custom installation control; a pair of proprietary Pioneer control ports; and the aforementioned speaker outputs. There are no side- or front-panel A/V inputs.

Performance of Pioneer PRO-FHD1

Simply put, the Pioneer PRO-FHD1 is the best-performing HDTV we've reviewed in the last year. Its combination of extremely accurate color, deep black levels, and sharp detail outclass any of the plasma, LCD, or rear-projection sets we've seen recently.

As always, we started our evaluation by setting up the Pioneer's picture as well as possible. The Pure picture mode provided an excellent basis to begin and we didn't have to change much. We decreased light output slightly, tweaked the color temperature and primary colors, and went through the various other settings to arrive at what we considered an excellent picture for our darkened lab. Our full user-menu settings can be found here, or check out the Tips section at the tab above. Although there's an ISF Night mode that's designed to be used by a professional calibrator in conjunction with special software, our calibration involved only the set's user-menu adjustments and our standard equipment.

Once we had the image to our liking, we sat back to compare the Pioneer against a few other displays we had in-house: the significantly larger Mitsubishi WD-65831 rear-projection set as well as a pair of other 50-inch plasmas, namely the 1080p Panasonic TH-50PF9UK and the 1366x768-resolution Panasonic TH-50PH9UK. We slipped the incredible-looking Aeon Flux into our resident Blu-ray player, the Sony PlayStation 3, and kicked back to enjoy.

The first thing we appreciated was the Pioneer's accurate color. Aeon's skin was pristine; the green of the greenhouse plants was rich and not nearly as yellow as with the other three sets; the red blood of her hands on the shard of glass was darker and not crimson. Color balance according to test patterns was nearly perfect, so we were able to increase the color control to really saturate the image without sacrificing any realism. Primary color accuracy was very good before we adjusted the Color Management settings and superb afterward.

We also noticed that the Pioneer exhibited less false contouring than the other sets, especially the TH-50PH9UK. In the scene before Aeon is captured and wakes up in a cell, her hazy silhouette fades into the light, and the difficult transition from light to dark was smoother on the Pioneer. In the cell, we also noticed a few bands on the transition from the floor to the white light under the bench while watching the Panasonics, which weren't evident on the Pioneer or the Mitsubishi.

Compared to the two Panasonics, the Pioneer did evince a slightly lighter color of black. We noticed during the scene where Aeon stalks Trevon Goodchild in the theater; the shadowy recesses and letterbox bars appeared slightly lighter on the Pioneer; about the same as on the Mitsubishi. We doubt this difference would be noticeable outside of side-by-side comparisons, but it is worth noting.

You may ask whether 1080p makes a big difference on this panel, and as usual, the answer is no. We compared the PRO-FHD1 directly to the lower-resolution Panasonic TH-50PH9UK, and in scene after scene of this very sharp disc, the differences were extremely difficult to detect. Only on a couple of scenes did we feel the 1080p Pioneer had any kind of advantage in sharpness. In Chapter 9, for example (52:07 into the film), the horizontal lines hanging behind the projected face looked more distinct on the Pioneer; later in the film, the same line again appeared sharper. From our 7-foot seating distance (Update: This originally said "8-foot," but it is actually 7), it was nearly impossible to see other differences, whether we looked at characters' hair or the texture of the walls or the tiny creases in skin and lips during the film's numerous close-ups. Anyone sitting farther than 7 feet away would likely appreciate no benefit at all from the FHD1's resolution.

Along with other Pioneer plasmas, the PRO-FHD1 is one of the only displays available to support the 72Hz refresh rate. An item labeled PureCinema in the menu system actually controls this function; when set to Standard, the set refreshed at the standard 60Hz rate, while choosing Advanced puts it into 72Hz mode. The supposed advantage of 72Hz mode is that you get a smoother picture with fewer artifacts when you're watching 24-frame sources, such as the 1080p/24 output of the Pioneer and Sony Blu-ray players. On the flip side, when we watched the 1080i/60 output of the PlayStation 3 in 72Hz mode, we saw some additional artifacts, such as judder and crawl along vertical lines. In general, we recommend using Advanced only if you have a 1080p/24 source. Unfortunately we weren't able to test this feature properly because we didn't have such a source on hand.

On another note, we did hear a very quiet, high-pitched hum coming from the Pioneer; the Panasonic plasmas, for example, were silent. The Pioneer was quieter than the sound of the fan on our PlayStation 3, but we could still hear it.

Next, we put the Pioneer PRO-FHD1 through a battery of standard-definition processing tests, watching patterns and material from the HQV disc at 480i over component video. The TV turned in a mostly solid performance, resolving all of the details of the disc and smoothing out jagged diagonal lines, such as those visible on a waving American flag, particularly well. Details on the stone bridge did look a bit soft until we increased sharpness to 0, which did introduce some edge enhancement. Both the Digital NR and the MPEG NR modes, each with four settings (Off, Low, Med, High) did a great job of squelching moving motes of video noise and "snow" in the low-quality shots of sky and sunsets, as well the scenes of the moving roller coaster. The High mode in particular seemed to choke off almost all noise in many shots, although it did make the image appear softer, especially the MPEG NR's High setting. The Pioneer did a fine job of detecting 2:3 pull-down in both Standard and Advanced PureCinema modes, but the image evinced more judder in Advanced.

One other important note: we recommend avoiding feeding the Pioneer any kind of 480p signal. Via both HDMI and component-video, we observed significant softness in the television's horizontal resolution on grayscale patterns (such as the first color bar pattern from HQV or the staircase from the Sencore VP403 generator), which appeared downright blurry. This issue does not affect 480i, 720p, or either of the 1080 resolution sources; just 480p. If you're connecting this set to a progressive-scan DVD player, you should set it to interlaced mode, or use a player that upconverts to 1080i or 1080p resolution.

Geek box
TEST RESULT SCORE
Before color temp (20/80) 6,036/6,191K Good
After color temp 6,305/6,447K Average
Before grayscale variation +/- 327 K Good
After grayscale variation +/- 61K Good
Color of red (x/y) 0.642/0.331 Good
Color of green 0.284/0.615 Average
Color of blue 0.149/0.066 Good
Overscan 0 percent Good
Black-level retention All patterns stable Good
2:3 pull-down, 24fps Yes Good
Defeatable edge enhancement Yes Good

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